Fresh take brings history to life

PROUD ADVOCATE: Kay Hampton’s completed gouache depiction of Kate Sutherland and Max as Beechworth suffragette Margaret Trim and her dog. Photo: Jamie Kronborg

BEECHWORTH artists Nina Machielse Hunt and Alan Phillips on Saturday led a public art class ‘en plein air’ in Beechworth’s historic Town Hall Gardens – a feature of Beechworth Arts Council’s month-long Spring Arts 2018.

The pair helped to guide participants to translate in contemporary media a photograph of Beechworth’s Margaret Trim taken in 1891 by leading colonial-era photographer James Bray in his Camp Street studio.

Bray was highly regarded for the quality of his work by which he documented much of Rutherglen’s development after 1866, and Beechworth’s after 1870, and its people, including many associated with the Kelly Gang outbreak.

He was one of four photographers at the Glenrowan siege in June 1880, when Ned Kelly was captured and the other three in the gang killed.

GARDEN SCENE: Beechworth’s Margaret Trim and her Saint Bernard hound against a painted backdrop in James Bray’s Camp Street studio in 1891. Photo: James Bray

The image of Margaret Trim – modelled on Saturday by Beechworth Burke Museum Friends’ committee member Kate Sutherland, and Mrs Trim’s St Bernard hound, modelled by Max the brown labrador – was one of a series taken by Bray in 1890-91 to record the women and society organisations advocating for women’s suffrage, or the right to vote “on equal terms with men”.

Mrs Trim was one of 30,000 women throughout Victoria who signed what became known as the Great Petition, tabled in Victoria’s Parliament in September of the same year with the support of Premier James Munro.

The petition also played an important role in Federation in 1901, when Australia became the first nation in the world to give women both the right to vote and the right to stand for Parliament – although women did not achieve the right to vote in Victorian Parliamentary elections until 1908.

Bray took the Trim photograph in his Camp Street studio against a painted backdrop of a forest glade or garden, the Arts Council’s inspiration for setting Saturday’s class in Town Hall Gardens.

Artists Kay Hampton, Tania Sutton, Jill Keith and Daren John Pope and photographer Pamela Thomas participated, their workings across the morning attracting the interest of passers-by in the park and on Ford Street.

FINE FRAMES: Nina Machielse Hunt and Alan Phillips helped to guide participants in ‘Fresh take’. Photo: Jamie Kronborg

KEEN EYE: Pamela Thomas sets up her Leica camera to photograph, as Daren Pope prepares to paint, the Margaret Trim ‘fresh take’. Photo: Jamie Kronborg

ART GARDEN: Kay Hampton with her gouache sketch of Kate Sutherland as Margaret Trim with her dog. Photo: Jamie Kronborg

FRESH TAKE: Kate Sutherland as suffragette Margaret Trim and Max the brown labrador as Mrs Trim’s Saint Bernard hound in Beechworth Town Hall Gardens for ‘Fresh take’. Photo: Jamie Kronborg

Alan Phillips charts the day

IT HAPPENED: Alan Phillips ’10 Rillington Place’ is among the works in Old Beechworth Gaol’s Carpe Diem exhibition.

AN exhibition of collage works by Beechworth artist Alan Phillips has opened at Old Beechworth Gaol.

Carpe DiemCollages is a retrospective, presenting 40 years of commentary on significant world events, bringing Alan’s sense of humour, inquiring mind and life experience into view as he interprets the consequences of people seizing the day.

Whether they be quirky, dramatic or life-changing, Alan documents such events as The Evolution of the Vespa, 9/11, Nirvana and the Uluru Hardback, to name a few.

Alan has spent 40 years maintaining visual diaries. The collages, some measuring 400 x 1500mm, feature pages from his diaries and materials gathered from places around the world.

Carpe Diem – Collages opened on 14 September runs 10am-4pm daily until September 24. Entry to the exhibition at the gaol in Williams Street is free.

Exhibition information