Walk treads Indigo art heritage

LEGACY: Kate Sutherland (left), James Toole, Jill Keith, Daren John Pope and Pamela Thomas took Beechworth Arts Council’s Spring Arts inaugural ‘Art walk’ through central Beechworth to the Gorge on Saturday, where Eugene von Guérard 156 years earlier sketched Chevalier’s Mill. The mill, owned by the family of painter Nicholas Chevalier, operated below the house in the background. Image: Jamie Kronborg

BEECHWORTH Arts Council again on Saturday (November 3) offers the opportunity for people to tread the canvas of Indigo’s art heritage with two ‘Art walks’.

Participants on October 27 took the inaugural walk – a feature of this year’s Spring Arts program – to explore the legacy of art, science, literature and horticulture in Beechworth.

The walk, devised by Arts Council president Jamie Kronborg, retraces the interaction of the ‘Great Victorians’ on the Ovens goldfield in the post-1852 colonial period and the links which developed between them.

The principal characters included meteorologist and magnetician Georg von Neumayer, artists Eugene von Guérard and Nicholas Chevalier, botanist Ferdinand von Müeller, police superintendent Robert O’Hara Burke, colonial photographer James Bray, writer and poet Ada Cambridge (Cross) and early twentieth century landscape and figurative painter Hilda Rix, who grew up in Beechworth.

ROBUST STYLE: Beechworth-raised painter Hilda Rix. Image: National Portrait Gallery, Canberra (photographer unknown: 1910)

Rix came to Beechworth as a infant when her father, a teacher and poet, was appointed schools inspector in the region. Her mother, Elizabeth, was an accomplished painter and a member of Melbourne’s prestigious Austral Salon, who had attended the National Gallery of Victoria School with artists Arthur Streeton, Frederick McCubbin, Rupert Bunny and Emanuel Phillips Fox.

Hilda Rix went on to study at the NGV School – which Eugene von Guérard established – where she was taught by McCubbin and where von Guérard had been first master of painting. She later went to England with her mother and sister before painting in France and Morocco, where she is believed to have met and perhaps worked with Henri Matisse.

Her works are in the collections of the National Gallery of Australia and Victoria, National Portrait Gallery, Australian War Memorial, Art Galleries of South Australia and Western Australia, and Musée du Luxembourg in France.

  • For reservations in the 90-minute ticketed walks at 10am and 2pm go to https://www.trybooking.com/YMOI : $10 adults, $5 children, Arts Council members free. The walks leave from the Burke Museum in Loch Street. 

Spring Arts dyes Indigo identity

BADGING: Beechworth Arts Council’s ‘elements of indigo’ project is encouraging a new take on the traditional kilt.

BEECHWORTH Arts Council has devised an ambitious art-to-artwear transformation project as one of the keys to its third ‘Spring Arts’ program, which is to run from October 26 to November 25 this year.

Arts Council president Jamie Kronborg said the project had been inspired by traditions of cultural ‘badging’, where particular forms and styles of clothing throughout history have evolved to identify a people’s tribe, clan, community, place, culture and even country.

“Following an approach from the Beechworth Celtic Festival, which is being staged between November 9 and 11, we’ve come up with and developed the concept in such a way that participating artists will be inspired to tease apart the idea and tradition of tartan and re-work it in a highly contemporary way to identify the communities of Indigo.”

WEAVING: ‘Elements of indigo’ in a Beechworth paddock. Image: Jamie Kronborg

The shortlisted visual designs will be exhibited and the artwear entries modelled in Beechworth’s historic 1859-built town hall during the Celtic Festival. A complementary design competition called ‘Get yer kilt on!’ will take place in Indigo schools in the lead-up to the exhibition.

“The Arts Council believes collaboration offers wonderful opportunities for creative and cultural expression, and working with the Celtic Festival is one example of this approach in this year’s ‘Spring Arts’ program,” Mr Kronborg said.

“We’re likewise delighted to be working with the Robert O’Hara Burke Museum and Beechworth’s Anglican Christ Church community to stage ‘Spring Arts’ events.

INTERSECTION: Springs Arts will explore Indigo’s colonial art heritage, including works by Nicholas Chevalier, who in November 1860 in Melbourne Punch depicted ‘The Great Australian Exploration Race’ led by Ovens District former police inspector Robert O’Hara Burke. Image: State Library of Victoria

With the Burke, these include an exhibition of archive images depicting costume as part of our ‘elements of indigo’ project, and the museum as a springboard for a series of guided walks that tell the story of Indigo’s art heritage and the ways in which the lives of ‘great Victorians’, such as artists Eugene von Guérard and Nicholas Chevalier, administrators like Burke, and surveyor Georg von Neumayer, among others, intersected in Beechworth.

“With Christ Church – in a ‘Spring Arts’ first – we’re collaborating to bring four young Opera Scholars Australia graduates to Beechworth to sing ‘La Primavera’, a program of Baroque arias, in this fine, historic building.”

Mr Kronborg said the placement of ‘Springs Arts’ events in significant heritage places extended to ‘Set the scene’ – the innovative use of Beechworth’s streetscape for a large-scale participatory art event.

Other major features of this year’s ‘Spring Arts’ include a curated, open-entry exhibition of artworks exploring ‘Indigo landscape’, a revival of Beechworth’s spring flower show – last held in the late 1930s, and self-drive tours of National Trust-classified landscapes in the Indigo hills.

Program information and entry forms
‘Elements of indigo’
Project information and background
Entry form
Jamie Kronborg
President
E jamiekronborg@me.com
M 0409 912 967

‘Indigo landscape’ group exhibition:
Daren Pope
Springs Arts co-ordinator
E beechworthartscouncil@gmail.com
M 0497 236 195