Old flower show blooms again

A BEAUTY: Rose ‘Lamarque’ flowering in a Beechworth garden. Image: Jamie Kronborg

BEECHWORTH, Stanley, Murmungee and Wooragee gardeners are encouraged to enter Beechworth Arts Council’s revival this weekend – November 17 and 18 – of the district’s long-defunct formal Spring Flower Show.

The Arts Council has included the fresh show in its packed five-week Spring Arts 2018 program. It will be staged in Beechworth Town Hall, where it first was held on October 19-20, 1882. The Ovens and Murray Advertiser reported on October 21, 1882, that the North East Agricultural and Horticultural Association’s first spring flower show had attracted a “fair attendance” and that exhibits were “good of their kind”.

FLOWER POWER: Exhibitors admire blooms in this 1955 image of dahlias on show. Image: State Library of Victoria

Arts Council president Jamie Kronborg said the limited-category show was open to all. The only proviso is that exhibits must be grown and arranged by the entrant. He said the program had been devised so that anyone could enter exhibits from garden or kitchen. 

Intending exhibitors can collect an entry form Beechworth Visitor Information Centre or Beechworth NewsXpress or download it in PDF versions.

Exhibits are to be delivered to Beechworth Town Hall on Saturday, November 17, between 8:30 and 10:30am. Exhibitors must also complete an entry form and submit it with a gold coin donation.

The Spring Flower Show will open at 11:00am and run until 4:00pm on Saturday, offering opportunities for visitors to Beechworth Vignerons’ Spring Tasting in the nearby Soldiers’ Memorial Hall to take a short walk to see some of the North East’s finest cut flowers and kitchen garden produce. It will also open between the same times on Sunday.

Prizegiving will take place at 3:00pm on Sunday.

For more information call or text Jamie Kronborg on 0409 912 967 or email beechworthartscouncil@gmail.com.

‘Elements’ cuts new cloth

FINE CRAFT: Detail of casuarina and eucalyptus leaves and paddock flowers in Maggie Hollins’ ‘kilt’.

BENALLA and Beechworth textile and visual artists stepped into frontier interpretations of Beechworth Arts Council’s inaugural Elements of Indigo art-to-artwear project in Beechworth on November 10.

Maggie Hollins, Inga Hanover, Kay Hampton and Daren John Pope exhibited their radically distinctive takes on the brief for the Spring Arts 2018 project – to design and make a navel-to-knees garment that expressed connection to place in a way similar to that by which Celts display ‘cultural badging’ with tartan.

Arts Council president Jamie Kronborg said the creative idea stemmed from the tradition that forms and styles of clothing throughout history have evolved to identify a people’s tribe, clan, community, place, culture and even country.

EPHEMERAL: Beechworth artist Inga Hanover created this garment from recycled plastic shopping bags in native plant material from Beechworth Gorge.

“In this project, as the Arts Council’s contribution to the development of Beechworth’s longstanding Celtic Festival, participating artists were encouraged to tease apart the idea and tradition of tartan and re-work it to identify the communities of Indigo,” he said.

The two-phase project – a visual design and a created garment interpreting the form of a kilt – asked entrants to depict or express ‘elements of Indigo’ – its sky, landscapes, colours, seasons, geology, topography, plants, crops, animals and birds, and other inspirations.

TRANSLATION: Moss on rocks in Beechworth Gorge inspired Inga Hanover’s first design for ‘Elements of Indigo’.

“A kilt is a traditional skirt that covers from navel to knees and has a deep history in Gaelic, Norse, Mediterranean, Tartar and First Peoples’ cultures,” Mr Kronborg said. “The Old Norse word kjalta means ‘pleated’ – of a ‘garment or cloth tucked up and around the body’. Australia’s First Peoples wore skirts or coverings made from grass, bark, and kangaroo, wallaby and possum skins decorated with feathers and echidna quills and tooled imagery.”

Ms Hollins, from Benalla, used a re-purposed woollen blanket as the base for her work.

“The choice of materials has been deliberate,” she said. “It was dyed with commercial indigo dye. Indigofera australis is a plant that grows in Indigo Shire and the First Peoples of this place used the flower of this plant to produce a blue dye. I want the viewer to remember their own blanket, how it felt safe and warm when it surrounded them. To highlight the landscape’s beauty I layered the base textile with vegetation. When heated pigments are drawn out of the plants and leave marks on the material.”

Ms Hanover created two designs and garments – one inspired by moss on rocks in Beechworth Gorge and the other using recycled plastic and partially-dried leaves, seeds and flowers.

“The influence for (the first) design has its starting point in the geology of Beechworth and the repetitive nature within a traditional kilt fabric. The repeated motif is taken from the left hand corner of the image below of lichen on granite from the gorge. I chose the granite as Beechworth sits atop a granite outcrop, with its ancient, degraded granite soil, in Indigo Shire.”

“In (the second), a wearable garment, I have sourced a selection of native grasses, seeds, leaves and blossoms from the Gorge. Using heat, these native items have been ‘trapped’ within supermarket packaging. These items are encased/laminated in clear and white plastic bags. In some sections, the natural items are covered by several layers of clear thin plastic and their colours are subdued and hidden, in other areas the colour comes through more vividly hidden only by one plastic layer. It’s a commentary on contemporary consumerism.”

HUMOROUS: Beechworth colourist painter and illustrator Kay depicted Indigo as a village scene with playful creatures and objects adding to the scheme.

Beechworth painter Kay Hampton created a rural village scene with a mixed farming landscape.

“It is a small snapshot of an intended larger finished work, which would be incorporated into a wearable garment showing this particular style of artwork,” she said. “It would be more comprehensive by including more villages so as to be representative of towns that make up Indigo Shire in Victoria’s North East.

“The colours I’ve used, while coming from an ancient landscape, have a contemporary relevance as the LGBTQI community uses them as the colours of diversity. This diversity, as illustrated, is also strongly evident throughout the Indigo community where wide diversity is paralleled by strong acceptance.”

CHALLENGING: Beechworth fabric artist Daren John Pope used overhead projector transparencies to craft his ‘Elements’ garment.

Beechworth fabric artist Daren John Pope explored photographic repetition using historic images of Beechworth and Indigo and smart phone images with a deliberate emphasis on casual, non-discriminatory composition.

“In transferring these onto a patterned tableau, these photo snaps have been printed up, arranged in a grid format and stitched together to create a single graphic.”

  • Elements of Indigo’s five interpretations will be exhibited in Beechworth Town Hall from November 12 to 25.

Fresh take brings history to life

PROUD ADVOCATE: Kay Hampton’s completed gouache depiction of Kate Sutherland and Max as Beechworth suffragette Margaret Trim and her dog. Photo: Jamie Kronborg

BEECHWORTH artists Nina Machielse Hunt and Alan Phillips on Saturday led a public art class ‘en plein air’ in Beechworth’s historic Town Hall Gardens – a feature of Beechworth Arts Council’s month-long Spring Arts 2018.

The pair helped to guide participants to translate in contemporary media a photograph of Beechworth’s Margaret Trim taken in 1891 by leading colonial-era photographer James Bray in his Camp Street studio.

Bray was highly regarded for the quality of his work by which he documented much of Rutherglen’s development after 1866, and Beechworth’s after 1870, and its people, including many associated with the Kelly Gang outbreak.

He was one of four photographers at the Glenrowan siege in June 1880, when Ned Kelly was captured and the other three in the gang killed.

GARDEN SCENE: Beechworth’s Margaret Trim and her Saint Bernard hound against a painted backdrop in James Bray’s Camp Street studio in 1891. Photo: James Bray

The image of Margaret Trim – modelled on Saturday by Beechworth Burke Museum Friends’ committee member Kate Sutherland, and Mrs Trim’s St Bernard hound, modelled by Max the brown labrador – was one of a series taken by Bray in 1890-91 to record the women and society organisations advocating for women’s suffrage, or the right to vote “on equal terms with men”.

Mrs Trim was one of 30,000 women throughout Victoria who signed what became known as the Great Petition, tabled in Victoria’s Parliament in September of the same year with the support of Premier James Munro.

The petition also played an important role in Federation in 1901, when Australia became the first nation in the world to give women both the right to vote and the right to stand for Parliament – although women did not achieve the right to vote in Victorian Parliamentary elections until 1908.

Bray took the Trim photograph in his Camp Street studio against a painted backdrop of a forest glade or garden, the Arts Council’s inspiration for setting Saturday’s class in Town Hall Gardens.

Artists Kay Hampton, Tania Sutton, Jill Keith and Daren John Pope and photographer Pamela Thomas participated, their workings across the morning attracting the interest of passers-by in the park and on Ford Street.

FINE FRAMES: Nina Machielse Hunt and Alan Phillips helped to guide participants in ‘Fresh take’. Photo: Jamie Kronborg

KEEN EYE: Pamela Thomas sets up her Leica camera to photograph, as Daren Pope prepares to paint, the Margaret Trim ‘fresh take’. Photo: Jamie Kronborg

ART GARDEN: Kay Hampton with her gouache sketch of Kate Sutherland as Margaret Trim with her dog. Photo: Jamie Kronborg

FRESH TAKE: Kate Sutherland as suffragette Margaret Trim and Max the brown labrador as Mrs Trim’s Saint Bernard hound in Beechworth Town Hall Gardens for ‘Fresh take’. Photo: Jamie Kronborg

Walk treads Indigo art heritage

LEGACY: Kate Sutherland (left), James Toole, Jill Keith, Daren John Pope and Pamela Thomas took Beechworth Arts Council’s Spring Arts inaugural ‘Art walk’ through central Beechworth to the Gorge on Saturday, where Eugene von Guérard 156 years earlier sketched Chevalier’s Mill. The mill, owned by the family of painter Nicholas Chevalier, operated below the house in the background. Image: Jamie Kronborg

BEECHWORTH Arts Council again on Saturday (November 3) offers the opportunity for people to tread the canvas of Indigo’s art heritage with two ‘Art walks’.

Participants on October 27 took the inaugural walk – a feature of this year’s Spring Arts program – to explore the legacy of art, science, literature and horticulture in Beechworth.

The walk, devised by Arts Council president Jamie Kronborg, retraces the interaction of the ‘Great Victorians’ on the Ovens goldfield in the post-1852 colonial period and the links which developed between them.

The principal characters included meteorologist and magnetician Georg von Neumayer, artists Eugene von Guérard and Nicholas Chevalier, botanist Ferdinand von Müeller, police superintendent Robert O’Hara Burke, colonial photographer James Bray, writer and poet Ada Cambridge (Cross) and early twentieth century landscape and figurative painter Hilda Rix, who grew up in Beechworth.

ROBUST STYLE: Beechworth-raised painter Hilda Rix. Image: National Portrait Gallery, Canberra (photographer unknown: 1910)

Rix came to Beechworth as a infant when her father, a teacher and poet, was appointed schools inspector in the region. Her mother, Elizabeth, was an accomplished painter and a member of Melbourne’s prestigious Austral Salon, who had attended the National Gallery of Victoria School with artists Arthur Streeton, Frederick McCubbin, Rupert Bunny and Emanuel Phillips Fox.

Hilda Rix went on to study at the NGV School – which Eugene von Guérard established – where she was taught by McCubbin and where von Guérard had been first master of painting. She later went to England with her mother and sister before painting in France and Morocco, where she is believed to have met and perhaps worked with Henri Matisse.

Her works are in the collections of the National Gallery of Australia and Victoria, National Portrait Gallery, Australian War Memorial, Art Galleries of South Australia and Western Australia, and Musée du Luxembourg in France.

  • For reservations in the 90-minute ticketed walks at 10am and 2pm go to https://www.trybooking.com/YMOI : $10 adults, $5 children, Arts Council members free. The walks leave from the Burke Museum in Loch Street. 

Spring Arts dyes Indigo identity

BADGING: Beechworth Arts Council’s ‘elements of indigo’ project is encouraging a new take on the traditional kilt.

BEECHWORTH Arts Council has devised an ambitious art-to-artwear transformation project as one of the keys to its third ‘Spring Arts’ program, which is to run from October 26 to November 25 this year.

Arts Council president Jamie Kronborg said the project had been inspired by traditions of cultural ‘badging’, where particular forms and styles of clothing throughout history have evolved to identify a people’s tribe, clan, community, place, culture and even country.

“Following an approach from the Beechworth Celtic Festival, which is being staged between November 9 and 11, we’ve come up with and developed the concept in such a way that participating artists will be inspired to tease apart the idea and tradition of tartan and re-work it in a highly contemporary way to identify the communities of Indigo.”

WEAVING: ‘Elements of indigo’ in a Beechworth paddock. Image: Jamie Kronborg

The shortlisted visual designs will be exhibited and the artwear entries modelled in Beechworth’s historic 1859-built town hall during the Celtic Festival. A complementary design competition called ‘Get yer kilt on!’ will take place in Indigo schools in the lead-up to the exhibition.

“The Arts Council believes collaboration offers wonderful opportunities for creative and cultural expression, and working with the Celtic Festival is one example of this approach in this year’s ‘Spring Arts’ program,” Mr Kronborg said.

“We’re likewise delighted to be working with the Robert O’Hara Burke Museum and Beechworth’s Anglican Christ Church community to stage ‘Spring Arts’ events.

INTERSECTION: Springs Arts will explore Indigo’s colonial art heritage, including works by Nicholas Chevalier, who in November 1860 in Melbourne Punch depicted ‘The Great Australian Exploration Race’ led by Ovens District former police inspector Robert O’Hara Burke. Image: State Library of Victoria

With the Burke, these include an exhibition of archive images depicting costume as part of our ‘elements of indigo’ project, and the museum as a springboard for a series of guided walks that tell the story of Indigo’s art heritage and the ways in which the lives of ‘great Victorians’, such as artists Eugene von Guérard and Nicholas Chevalier, administrators like Burke, and surveyor Georg von Neumayer, among others, intersected in Beechworth.

“With Christ Church – in a ‘Spring Arts’ first – we’re collaborating to bring four young Opera Scholars Australia graduates to Beechworth to sing ‘La Primavera’, a program of Baroque arias, in this fine, historic building.”

Mr Kronborg said the placement of ‘Springs Arts’ events in significant heritage places extended to ‘Set the scene’ – the innovative use of Beechworth’s streetscape for a large-scale participatory art event.

Other major features of this year’s ‘Spring Arts’ include a curated, open-entry exhibition of artworks exploring ‘Indigo landscape’, a revival of Beechworth’s spring flower show – last held in the late 1930s, and self-drive tours of National Trust-classified landscapes in the Indigo hills.

Program information and entry forms
‘Elements of indigo’
Project information and background
Entry form
Jamie Kronborg
President
E jamiekronborg@me.com
M 0409 912 967

‘Indigo landscape’ group exhibition:
Daren Pope
Springs Arts co-ordinator
E beechworthartscouncil@gmail.com
M 0497 236 195

Spring Arts yields blooms of note

FINE VOICE: Opera Scholars Australia performers sing at Opera in the Alps in Beechworth. Image: Jamie Kronborg

FOUR opera scholars will sing ‘La Primavera’, a program of baroque arias, in a first for Beechworth Arts Council’s month-long Spring Arts celebration this year.

The Arts Council is collaborating with Beechworth’s Anglican Christ Church and Opera Scholars Australia to present the 75-minute performance, which will take place in the historic church at dusk on November 23. The program will include works by 18th century composers Händel, Vivaldi and Mozart.

Opera Scholars Australia participants perform annually in Beechworth ‘Opera Week’ in the lead-up to Opera in the Alps, and at the main performance in late January. The OSA program provides unparalleled study, training and performance opportunities for young artists pursuing singing careers in Australia. It is based in Melbourne and offers up to 25 scholarships each year to classical singers aged between 18 and 24. Performance coaches include renowned Australian soprano Yvonne Kenny. Wangaratta’s Touchstone Pianos is generously supporting ‘La Primavera’.

Arts Council president Jamie Kronborg and vice president Daren John Pope believe the addition of performance builds a program which extends Spring Arts across the range of creative practice. This year’s highlights will also include a curated exhibition exploring ‘Indigo landscape’, a film screening, a visual arts transformation project and exhibition, talks, walks, and a wild opportunity for en plein air (outdoor) art participation in Beechworth’s streets and parks.

  • The Arts Council’s Spring Arts program will be published in September, when bookings will also open for ‘La Primavera’ and other ticketed events.

Reading Beechworth’s Ada Cambridge

Ada Cambridge at about the time she lived in Beechworth. Image: National Library of Australia

COLONIAL Australia’s first significant woman poet —who expressed thoughts on the ‘limitations of sexual love’ and concern for the underprivileged in a book of sonnets published while she lived in Beechworth in the late nineteenth century — will be celebrated with readings in the town’s Anglican Christ Church on July 6.

Beechworth Arts Council has joined with Christ Church to present readings from the works of writer Ada Cambridge, who lived in Beechworth between 1885 and 1893 where her husband, George Cross, was vicar.

It was from these parish experiences and Cambridge’s keen observations of colonial society that she wrote Thirty years in Australia, which was published in 1903Her earlier ‘rebellious book of poetry’, Unspoken thoughts, was described by academic Margaret Bradstock in 2006 — in a new introduction to a reprint of Thirty years — as ‘evincing a strong social conscience and investigating a freeing-up of sexual mores and religious conventions’. Publisher George Robertson said that Unspoken thoughts when published in 1887 placed Cambridge ‘among the immortals’. It was later republished in 1913 in a curtailed, toned-down version as The hand in the dark.

The Australian Dictionary of Biography’s Jill Roe wrote that Cambridge began writing with purpose during snatched leisure in 1873 ‘to add … to the family resources when they threatened to give out’. ‘Her fluent and unpretentious work attracted attention at once: Up the Murray which was published as a serial in the Australasian in 1875, the first of several to appear in the next 15 years in those pages, gained her passport into the society of the Anglo-Australian aristocracy which she found so congenial and portrayed repeatedly in her novels.’

The Arts Council readings will take place almost 92 years to the day after Cambridge’s death in Melbourne in 1926. She was 81.

Event information
Where: Christ Church, 27 Ford Street, Beechworth Victoria 3747
Date: Friday July 6, 2018
Time: 7:00pm
Ticket: $10 includes refreshments: book now

Take tea and talk with ‘Vincent and me’ artist

FERTILE FIELDS: Artwork by artists and filmmaker Michael Rubbo. Image: Michael Rubbo

BEECHWORTH Arts Council is pleased to support Quercus Beechworth’s morning tea on Thursday – April 12 – with brothers Michael and Mark Rubbo.

Michael is promoting his book ‘Travel with my Art’ – an amazing life told through Michael’s gorgeous paintings. Mark is Readings Bookstores’ managing director.

The talented and creative brothers were featured in the The Age Good Weekend in ‘The two of us’ on January 27 this year.

Quercus and the Arts Council would love you to join us for morning tea at 11am at what will be a delightful excursion through story telling, art and conversation in the garden at 30 Ford Street. Please let Quercus know if you’ll be attending by calling 03 5728 2386 or email. You might also forward this post to others who could be interested.

Go to Michael Rubbo for more information about Michael and his work.

Creativity shines at fair

FINE YARN: Work by Beechworth spinner and weaver Rose Gardner at Golden Art Fair 2018. Photo: Jamie Kronborg

BEECHWORTH Arts Council’s inaugural ‘Golden Art Fair’ opens on Easter Saturday in association with the community’s Golden Horseshoes Festival.

The invitation fair features works by Beechworth sculptor, painter and installation artist Jo Voigt, spinner and weaver Rose Gardner, printmaker Chris Dormer, artist and illustrator H. Fish, painters Inga Hanover, Tania Sutton and Kay Hampton, jeweller and painter Judy Hawking-Burnett, photographers Pamela Thomas and Holly Borschman, textile artist Maureen Cooper, Goulburn and North East Arts Alliance Wangaratta members Jacquie Coupe, Helen Hill, Kathy Whelan and Maggie Hollins, and Yackandandah basket-maker Jan Clements.

The fair – with demonstrations by Rose, Kay, Tania and Chris – will be open daily in Beechworth Soldiers’ Memorial Hall between 10am and 4pm. It runs until Easter Monday.

Participating artists

Basketwork by Yackandandah’s Jan Clements.

Print works by Beechworth’s Chris Dormer.

Photography by Beechworth’s Holly Borschman.

 

Golden opportunity: Burke wants ball-makers

HORSEPOWER: Billson’s Brewery’s Nathan Cowan and Burke Museum’s Cameron Auty clean the National Trust Victoria’s heavy waggonette in Beechworth in October last year. Photo: Jamie Kronborg

BEECHWORTH’S Burke Museum has put out a call for helpers to make papiermâché balls in Beechworth tomorrow (Thursday, March 22) for its Golden Horseshoes Festival float.

The museum entry for the festival’s Easter Saturday grand parade is themed on a colonial-era gold escort and will feature the 50-centimetre diameter balls to represent the extraordinary quantity of gold found in Beechworth after the first discovery in 1852. The balls are modelled on one in the museum, made from steel, which is equivalent to one imperial ton of gold.

On today’s bullion market the total weight of 153 tons officially recovered from Beechworth and Stanley alluvial fields and diggings would be worth more than $8 billion.

The ball-making working bee will be held at Pat Doyle’s house at 148 High Street between 10am and 5pm. Burke Museum and Beechworth historic precinct and Indigo heritage manager Cameron Auty said all volunteers would be welcomed at any time and could let him know by message or text to 0400 558 866 of their intended help.

Another feature of this year’s Horseshoes festival will be a display in the historic precinct of vehicles from the National Trust Victoria’s Beechworth carriage collection, which is usually housed at Billson’s Brewery.

The collection includes a Beechworth-built Victorian-era hearse and a heavy waggonette once owned by colonial pastoralist James Tyson, about whom poet Andrew ‘Banjo’ Paterson wrote a poem, ‘T.Y.S.O.N.’, and which is said to have been used to carry NSW governor Lord Victor Jersey in 1892 on a tour in the western Riverina. Tyson died one of the world’s richest men in 1898, leaving an estate valued at more than £2 million – equivalent to about $285m today.