Tag Archives: christ church beechworth

Spring Arts dyes Indigo identity

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BADGING: Beechworth Arts Council’s ‘elements of indigo’ project is encouraging a new take on the traditional kilt.

BEECHWORTH Arts Council has devised an ambitious art-to-artwear transformation project as one of the keys to its third ‘Spring Arts’ program, which is to run from October 26 to November 25 this year.

Arts Council president Jamie Kronborg said the project had been inspired by traditions of cultural ‘badging’, where particular forms and styles of clothing throughout history have evolved to identify a people’s tribe, clan, community, place, culture and even country.

“Following an approach from the Beechworth Celtic Festival, which is being staged between November 9 and 11, we’ve come up with and developed the concept in such a way that participating artists will be inspired to tease apart the idea and tradition of tartan and re-work it in a highly contemporary way to identify the communities of Indigo.”

WEAVING: ‘Elements of indigo’ in a Beechworth paddock. Image: Jamie Kronborg

The shortlisted visual designs will be exhibited and the artwear entries modelled in Beechworth’s historic 1859-built town hall during the Celtic Festival. A complementary design competition called ‘Get yer kilt on!’ will take place in Indigo schools in the lead-up to the exhibition.

“The Arts Council believes collaboration offers wonderful opportunities for creative and cultural expression, and working with the Celtic Festival is one example of this approach in this year’s ‘Spring Arts’ program,” Mr Kronborg said.

“We’re likewise delighted to be working with the Robert O’Hara Burke Museum and Beechworth’s Anglican Christ Church community to stage ‘Spring Arts’ events.

INTERSECTION: Springs Arts will explore Indigo’s colonial art heritage, including works by Nicholas Chevalier, who in November 1860 in Melbourne Punch depicted ‘The Great Australian Exploration Race’ led by Ovens District former police inspector Robert O’Hara Burke. Image: State Library of Victoria

With the Burke, these include an exhibition of archive images depicting costume as part of our ‘elements of indigo’ project, and the museum as a springboard for a series of guided walks that tell the story of Indigo’s art heritage and the ways in which the lives of ‘great Victorians’, such as artists Eugene von Guérard and Nicholas Chevalier, administrators like Burke, and surveyor Georg von Neumayer, among others, intersected in Beechworth.

“With Christ Church – in a ‘Spring Arts’ first – we’re collaborating to bring four young Opera Scholars Australia graduates to Beechworth to sing ‘La Primavera’, a program of Baroque arias, in this fine, historic building.”

Mr Kronborg said the placement of ‘Springs Arts’ events in significant heritage places extended to ‘Set the scene’ – the innovative use of Beechworth’s streetscape for a large-scale participatory art event.

Other major features of this year’s ‘Spring Arts’ include a curated, open-entry exhibition of artworks exploring ‘Indigo landscape’, a revival of Beechworth’s spring flower show – last held in the late 1930s, and self-drive tours of National Trust-classified landscapes in the Indigo hills.

Program information and entry forms
‘Elements of indigo’
Project information and background
Entry form
Jamie Kronborg
President
E jamiekronborg@me.com
M 0409 912 967

‘Indigo landscape’ group exhibition:
Daren Pope
Springs Arts co-ordinator
E beechworthartscouncil@gmail.com
M 0497 236 195

Spring Arts yields blooms of note

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FINE VOICE: Opera Scholars Australia performers sing at Opera in the Alps in Beechworth. Image: Jamie Kronborg

FOUR opera scholars will sing ‘La Primavera’, a program of baroque arias, in a first for Beechworth Arts Council’s month-long Spring Arts celebration this year.

The Arts Council is collaborating with Beechworth’s Anglican Christ Church and Opera Scholars Australia to present the 75-minute performance, which will take place in the historic church at dusk on November 23. The program will include works by 18th century composers Händel, Vivaldi and Mozart.

Opera Scholars Australia participants perform annually in Beechworth ‘Opera Week’ in the lead-up to Opera in the Alps, and at the main performance in late January. The OSA program provides unparalleled study, training and performance opportunities for young artists pursuing singing careers in Australia. It is based in Melbourne and offers up to 25 scholarships each year to classical singers aged between 18 and 24. Performance coaches include renowned Australian soprano Yvonne Kenny. Wangaratta’s Touchstone Pianos is generously supporting ‘La Primavera’.

Arts Council president Jamie Kronborg and vice president Daren John Pope believe the addition of performance builds a program which extends Spring Arts across the range of creative practice. This year’s highlights will also include a curated exhibition exploring ‘Indigo landscape’, a film screening, a visual arts transformation project and exhibition, talks, walks, and a wild opportunity for en plein air (outdoor) art participation in Beechworth’s streets and parks.

  • The Arts Council’s Spring Arts program will be published in September, when bookings will also open for ‘La Primavera’ and other ticketed events.

Take sherry with Ada on Friday

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WARMING WORDS: Enjoy sherry at Beechworth Arts Council’s Ada Cambridge readings in Christ Church on July 6. Image: Jamie Kronborg

HEAR Beechworth and Stanley women in the arts, education and community advocacy bring to life the works of Ada Cambridge – Australia’s first significant colonial-era woman poet and Beechworth resident – in the town’s Anglican Christ Church on July 6.

Teacher Lesley Milne, teacher and artist Valerie Crosse, former Beechworth Secondary College teachers Jean Memery and Helen McIntyre, printmaker and former Indigo arts officer Chris Dormer, historian Jacqui Durrant, Indigo mayor Jenny O’Connor and poet Jill Keith will read poems they’ve selected from Cambridge’s literature: some of them in the very place where they were penned.

The English-born writer, poet and keen social observer lived in Beechworth between 1885 and 1893 during her husband’s tenure as vicar of Christ Church. She was in her 40s at the time and was considered avant-garde by some of her peers for her views on a woman’s role in marriage, sex, gender equality and suffrage.

EQUAL RIGHT: Ada Cambridge’s signature, using her married surname of Cross, among those of Beechworth women who signed the 1891 Great Petition. Image: Parliament of Victoria

Cambridge was one of many women in the North East who signed the 1891 ‘Great Petition’ to Victoria’s parliament in which almost 30,000 throughout Victoria sought the right to vote “on equal terms with men”.

Chris Dormer said Cambridge’s writing was widely read in Australia, England and the United States. “Her work was extremely modern in addressing the conditions of women and the social issues of her time,” she said.

Williamstown Literary Festival annually awards prizes named in Ada Cambridge’s honour for biographical prose, poetry and young writers’ work. She moved with her husband from Beechworth to Williamstown in 1893 when he was appointed rector in the bayside western port. She died in 1926. More information about her life and works can be found in the Australian Dictionary of Biography.

Event information
Where: Christ Church, 27 Ford Street, Beechworth Victoria 3747
Date: Friday July 6, 2018
Time: 7:00pm
Ticket: $10 includes refreshments: book now

 

Reading Beechworth’s Ada Cambridge

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Ada Cambridge at about the time she lived in Beechworth. Image: National Library of Australia

COLONIAL Australia’s first significant woman poet —who expressed thoughts on the ‘limitations of sexual love’ and concern for the underprivileged in a book of sonnets published while she lived in Beechworth in the late nineteenth century — will be celebrated with readings in the town’s Anglican Christ Church on July 6.

Beechworth Arts Council has joined with Christ Church to present readings from the works of writer Ada Cambridge, who lived in Beechworth between 1885 and 1893 where her husband, George Cross, was vicar.

It was from these parish experiences and Cambridge’s keen observations of colonial society that she wrote Thirty years in Australia, which was published in 1903. Her earlier ‘rebellious book of poetry’, Unspoken thoughts, was described by academic Margaret Bradstock in 2006 — in a new introduction to a reprint of Thirty years — as ‘evincing a strong social conscience and investigating a freeing-up of sexual mores and religious conventions’. Publisher George Robertson said that Unspoken thoughts when published in 1887 placed Cambridge ‘among the immortals’. It was later republished in 1913 in a curtailed, toned-down version as The hand in the dark.

The Australian Dictionary of Biography’s Jill Roe wrote that Cambridge began writing with purpose during snatched leisure in 1873 ‘to add … to the family resources when they threatened to give out’. ‘Her fluent and unpretentious work attracted attention at once: Up the Murray which was published as a serial in the Australasian in 1875, the first of several to appear in the next 15 years in those pages, gained her passport into the society of the Anglo-Australian aristocracy which she found so congenial and portrayed repeatedly in her novels.’

The Arts Council readings will take place almost 92 years to the day after Cambridge’s death in Melbourne in 1926. She was 81.

Event information
Where: Christ Church, 27 Ford Street, Beechworth Victoria 3747
Date: Friday July 6, 2018
Time: 7:00pm
Ticket: $10 includes refreshments: book now